(The DVD cover of when Natalia Makarova and the Kirov Ballet were reunited)
We had produced and presented the magnificent Bolshoi Ballet in an agricultural hall in Dublin (The Royal Dublin Society) and turned it into an opera house fit for Kings! We had produced and presented the Bolshoi Ballet in a massive tent in London’s Battersea Park and had the show filmed by BBC Television and broadcast in prime time on a Saturday night! Now we were going to turn London’s Business Design Centre into a theatre fit for the Queen.
We had been touring the Mariinsky Ballet or the Kirov Ballet as it was more famously known in August of 1988 and had presented them at both the Royal Opera House in Covent Garden and at the London Coliseum (and in New York, Washington D.C. and in the USA and Canada), but what we were about the create was something special.
The Business Design Centre in the London area of Islington is primarily a large space dedicated to businesses, conferences and exhibitions – but we were looking for a London based venue that we could turn into a splendid theatre for dance and indeed the greatest ballet dancers in the world.
(The outside of the Business Design Centre - I wish I could show you photos of how we turned this into a wonderful theatre for dance)
Not only were we going to present a stunning programme of dance we were achieving something quite extraordinary. The great Ballerina Natalia Makarova, who had defected to the West in 1970 and caused an artistic and political storm (as had Rudolf Nureyev and Misha Baryshnikov) was to be re-united with the Kirov Ballet and would perform a piece from Tchaikovsky’s Swan Lake.
But first
we had to turn the empty space of the Design Centre into a world-class theatre.
Architect Gar Holohan came in from Dublin and with our technical team headed by
Bill Hammond we installed 3,200 seats with superb sight lines – built a
magnificent stage and a grid in the roof able to take the front curtain, all
the scenery and the large lighting rig. An orchestra pit was dug for the 90
musicians of the Mariinsky Theatre Orchestra. BBC camera positions mounted and
a ton of electronic wires covered to make the ground safe for the public. I
seem to recall we were still hammering away as the public arrived!
The Kirov
(Mariinsky) Ballet were magnificent - Dierdre McMahon from the Spectator
described the moment:
"Tension mounted as the sellout audience of 3,200 at
a London Design Center waited expectantly through four opening selections. At
precisely 9:28 p.m., Makarova, now 47 and in the twilight of an illustrious
career, glided onstage, surrounded by 24 elegant Kirov Swan "maidens. At
the close of Makarova's flawless, nine-minute performance, the audience erupted
into a thunderous, three-minute ovation. The dancer, a sheen of
perspiration—and a giddy grin—on her finely boned face, accepted a bouquet of
roses and plucked one, which she kissed and presented to her Russian partner,
Konstantin Zaklinsky.
Later, in a joint curtain call, the other dancers
gave Makarova the honor of the last solo bow. Then she briefly turned her back
to the audience, and curtsied deeply to the Kirov ensemble. "It was
emotional ecstasy," she said later, backstage. "I was so nervous I
was shaking, shaking like I have never done before. I wanted this moment for 18
years. I never dreamed I would be able to dance with the Kirov so soon."
This was a goose bumps moment – the dancing sublime, the superb corps de ballet supreme and the magic of Natasha Makarova and Konstantin Zaklinsky on stage truly unforgettable – what’s more the BBC captured this moment and it is forever enshrined on DVD (and YouTube) for all to see and enjoy.
The New
York Times reported:
"Natalia Makarova, the Russian ballerina who defected to the West 18 years ago, danced with the Kirov Ballet here last night, becoming the first Russian dancer allowed to perform with a Soviet company after emigrating to the West.
Her emotional performance of the Act II adagio from ''Swan Lake,'' her own choice for the evening, drew a standing ovation from the capacity audience at the 3,200-seat Business Design Center, where the Kirov had performed all week.
A huge smile on her
face, Miss Makarova plucked a rose from her bouquet, kissed it and handed it to
her partner, Konstantin Zaklinsky. She then turned her back to the audience and
curtsied deeply to the Kirov dancers who filled the stage".
''It was emotional
ecstasy,'' she said later in her dressing room, wearing her tutu and a white
Kirov sweatshirt signed by members of the company. ''I was so nervous I was
shaking, shaking like I have never done before. I wanted this moment for 18
years. I never dreamed I would be able to dance with the Kirov so soon.''
We miss
the ballet – and will never forget those incredibly magical moments when
Natalia Makarova danced again with the Mariinsky Ballet from St.Petersburg
– happy and wonderful memories - thanks for reading
– happy and wonderful memories - thanks for reading
Happy memories indeed! I was lucky enough to be working for the owners of The Business Design Centre at that time. I think I owe them a few quid for the numbers of times I sneaked out of the office to watch the dancers rehearse, making sure I stayed behind the pillars or ducked well down in to a seat. Sheer bliss! Some of my most treasured memories. Thanks :-)
ReplyDeleteGreat to read your comments - thank you so much for writing - it is so important for me to read that these performances gave much pleasure - they were wonderful days - moments never to be forgotten - thanks again Peter
DeleteI'm back on to you. I wonder if you'd be able to point me in the right direction. I would dearly love to get a copy of the Kirov programme poster with Faruk Ruzimatov stunningly captured in mid–air. The image was used for the Business Design Centre programme poster and subsequently the The Coliseum. I was one of the Business Design Centre team who had the incredible experience of going to the Dublin RDS venue to see them perform on the temporary stage set. Wonderful times.
ReplyDelete